Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent Un Bateau En Papier De 20m De Long Qui Flotte du Pre has done such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, but the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very
early Japanese Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin Comment Faire Un Bateau En Papier Video was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and are approaching sculpture rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the Origami Crane Meaning multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the pet and then brought together. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of Origami Heart With Wings water and papers we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from your single colour is one side colored and one white or plain. A great package of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has Origami Owl Bracelet called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.